click here to listen to Acid Junkies!

Live Friday Night from 22.00:

Warming Up Rave Party !!!!! => Spiral Stage aka Network 23 Tribe Stage
[wikipedia.org] // [spiral-tribe.org]
One of the most famous soundsystems in the world !!!!!

click here to watch 1994 reclaim the streets clip

Crystal Distortion alias Simon,
69db,
Ixindamix
Jeff 23 alias Dj Tal,
Meltdown Mickey
The Bad girls ( Ixindamix + MC Simsimmer)
Ixindamix

click here to watch original Spiral Tribe music video

Visuals: Feenix 13

Sunday From 14.00: Camping Afterparty until 22.00 !!!!

click here to watch cult 12″ clip of SP23

Some artist that have already confirmed:

Some artist that have already confirmed:

ALEC EMPIRE (Germany)

click here to listen to Alec Empire from 1994

ACID JUNKIES (Holland)
DJUMA SOUNDSYSTEM (Denmark)
DAZ BRIGADE (Germany)
KOZZ (Belgium)
ACID KIRK (Belgium)
TRISH VAN EYNDE (Belgium),
WHICKED HAYO (Belgium),
ENDUSER(Usa)

watch Eduser with Assasin
FFF (Holland)
JEROME HILL (UK)

Violet = Kong = Aether/ Void = Psychedelic
—————————————–
Whicked Hayo (Belgie)
Hishiryo (France),
Dennis The Menace (Sweden),
Pzyko (Belgium)
Phenotype (France),,
Psychoz ( Germany),
Kya (Germany),
Fraktophon (Belgium)
Syntrax Error (Belgium),

Wit = Mu = Wood = Hardcore // Breakcore // IDM
———————————————–
ALEC EMPIRE (Germany)
ENDUSER(Usa)
FFF (Holland)
K-os (Belgium)
Probex (Belgium)
Zeck (Belgium)
Mayhem (Belgium)
Terror (Belgium)
Droon (Belgium)
Wan bushi (Belgium)
Mr Bad Monkey (Belgium)

Yellow = Feng = Air = Rave// Acid
——————————–
ACID JUNKIES (Holland)
ACID KIRK (Belgium)
Nocid (Belgium)
Cthulhu 303 (Belgium)
Metamorph (Belgium)
Parazoid (Belgium)
Phobiak (Belgium)
Ralph Storm (Belgium)
Fritacid (Belgium)
L-Reak (Belgium)
The Fresh W (Belgium)

Brune = Tu = Earth = Ambient// Live // Chill Out
———————————————-
Seal Phüric (Belgium)
Palsembleu (Ucture + Bishop Dust) (Belgium)
Cnuff. I (Sheperd + Egon Fisk) (Belgium)
Biofix (Belgium)
Uriel (Belgium)
Dee Elfe (Belgium)
Fhex (Belgium)
Krasius (Belgium)
DJ Bassmati (France)
More chill-out artists TBC
SEOUL & T LINDER (Usa)
MASHED PAPER KLUB (Belgium),
MOONLIGHT MATTERS (Belgium)

Blue= Shui = Water = Minimal//House
———————————–
DJUMA SOUNDSYSTEM (Denmark)
Daz Brigade (Germany)
MOONLIGHT MATTERS (Belgium)
LouLou Players (Belgium)
Ishtar & La Maz (Belgium)
Robbyns & Markey (Belgium)
Don Santos (Belgium)
Ricardo (Belgium),
Voxter and Balance (Belgium)
Stevie P vs Gols (Belgium)
R’Deem (Belgium)
Massaar (Belgium)
Joey Payne & Jose Noventa
Mk Ultra (Belgium)

Red= Huo = Fire = Techno// Electro
———————————-
KOZZ (Belgium)
TRISH VAN EYNDE (Belgium),
JEROME HILL (UK)
SEOUL & T LINDER (Usa)
MASHED PAPER KLUB (Belgium),
Klaina (Belgium)
808 SNKRDZ (Belgium)
Celtric (Belgium),
Spastik (Belgium)
Jamie Behan (Ierland)
Jrd (Belgium)
Bumperfunk (Belgium)
X-Act (Belgium)

next days more news…. Chill Contact Shops: jamie.bell2009@gmail.com Deco Art:

Wrekon – Mutoid Waste Co. (Spiral Tribe, Italie)
[facebook.com]
Global Village People (Fusion, Ozora, Rhakti Dei, UK)
[co.uk]/

More to be confirmed!!!!

posted by RZ22 for EYHO Blog Berlin
Subscribe To EYHO Blog – It’s Free!
Follow us on Twitter!

buy the print issue while it’s out!

www.eyho-blog.com

FIRST HALF OF THE TOUR!!!!

ALEC EMPIRE & NIC ENDO

THE PAST – THE PRESENT – THE FUTURE TOUR 2009

Presented by Sonic Seducer Magazine

30.04.2009 Vorselaar (B) – Edma

01.05.2009 London (GB) – The Underworld / get tickets here or here
02.05.2009 Manchester (GB) – Satan?s Hollow / get tickets here or here
03.05.2009 Glasgow (GB) – Ivory Blacks / get tickets here or here Or here
05.05.2009 Norwich (GB) – The Waterfront
06.05.2009 Amsterdam (NL) – Paradiso
07.05.2009 Hengelo (NL) – Metropool
08.05.2009 Reutlingen – franz.K
09.05.2009 Jena – Kassablanca

www.eyho-blog.com

ANDREW WEATHERALL DELIVERS 2 EXCLUSIVE DJ MIXES

Andrew Weatherall gave us these two exclusive DJ mixes as a gift, k? There are for you only! We will throw the most insane party on February 12th in Berlin at Tresor Club – where it ALL started!

to me this is important as Andrew’s mix of guitar music and beats back then in the early 90ties created RAVE in Manchester. Who knows where we all would have been without his mixes for Primal Scream, Happy Mondays, That Petrol Emotion, Jah Wobble, James, The Grid, New Order, Saint Etienne, Meat Beat Manifesto, Finitribe, S’Express, A Man Called Adam, Future Sound of London, Galliano, Stereo MC’s, Leftfield, Johnny Lydon, The Wolfgang Press, Psychic TV, Orb & My Bloody Valentine ! (yes, in the gutter! you are right about that)

So Andrew’s mixes are pure education (this is not what he’ll spin that night though). Enjoy them while you can!

Transducers! starts at 21:00 CET on Thursday 12th during Berlinale Film Festival.

Warning: This will be full of actors and film people! (uh yeah baby)

for more info go to:

Official TRANSDUCERS! Website

or

Tresor Berlin!

KHAN REMIX CONTEST! WHO IS THE BEST?

Khan Of Finland ?S/T? CD out now on I?m Single Records via KOMPAKT & Groove Attack

Hi guys,

celebrating this week’s Khan of Finland album- release, we are calling for a Khan remix contest:

http://www.tracksandfields.com/studio.php?viewSessionId=199

Khan is providing the samples of his song “i got to”. You can use our online sequencer or download the stems from our sample library. The best mix will be featured on his websites and considered for a release on his label “I’m Single”.

For those who are not familiar with Khan, he is an extremely prolific producer. Born Can Oral, raised in Frankfurt to Turkish-Finnish parents he’s a world resident (currently based in Berlin, after previously residing in New York, Mexico, Cologne and Finland) who has produced electronic music under at least 10 pseudonyms and collaborations (including Bizz OD, 4E, El Turco Loco, Captain Comatose, Kid & Khan).
Check out our video interview at blog.tracksandfields.com where he talks about the making of his collaborative album “no comprendo” on Matador records.

We are looking forward to your entries! Keep checking in, we will have a lot of new contests coming up soon!

?

Tracksandfields.com – Make music online

“Anne Clark is playing here tonight – and you’re not Anne Clark”!

Being refused entry to a show you?re actually headlining must be an embarrassing experience and one of the many music biz divas would no doubt throw a massive J Lo-style strop yet Anne Clark takes this kind of non-recognition in her stride. If you were to pass her in the street you?d be forgiven for not recognising her as one of electronic music?s long-term contributors; she?s rather small with mussed up hair and a quiet, unassuming personality.

Clark herself would agree that she doesn?t exactly fit into the traditional female ?pop star? image. ?Having grown up being ?Not The Most Beautiful Girl In School? it was truly magnificent when punk rock arrived and it was what you did that mattered, not what you looked like. Things soon reverted back to how they had been before and women had to be ?babes? or ?whores? to make it. I know I can never be one and hopefully am not the other, so I am very proud to say that I guess it’s my work that matters to people!?

Clark was born in Croydon, London and worked as a nurse in a psychiatric hospital before taking a post in the Bonaparte Records store. She immersed herself in the burgeoning punk/new wave scene when she began booking artists such as Paul Weller, Linton Kwesi Johnson and The Durutti Column to perform at the Warehouse Theatre. Seizing the opportunity to be part of a wave of music where attitude rather than looks mattered most, it?s no surprise that Clark turned to writing and performing and her debut LP, The Sitting Room, hit stores in 1982. Since then, her musical output has been somewhat sporadic with long gaps between releases; she?s an artist who only brings out an album when she feels she has something to say as opposed to churning out nonsense to fulfill contractual obligations. Her new LP, The Smallest Acts of Kindness, is her first in twelve years so why the long wait? ?In 1996 my father died and this had a huge impact on me,? explains Clark, ?I basically lost all interest in writing.

What could I say? What was the purpose of writing really? I felt I no longer had anything to say. By the late 90s I had also grown very tired of the whole music scene. It seemed so stale and sterile. Everything seemed to be about “product” and nothing to do with “quality”. Everything sounded like a derivative of something else.? But while one family tragedy put a complete block on her writing, another opened the doors to her creativity: ?In 2006 my mother died and I had a completely opposite reaction to the one I’d had after my father’s death. Suddenly everything seemed urgent and vital. Life is so short and unpredictable. We have to give it everything we can. I had to write again. This is basically how the new album came about.?

As the first new Clark material to be released in more than a decade this album can surely be filed under ?Eagerly Awaited? and is likely to be a hit with die-hard fans as well as bringing in a few newbies along the way. It?s scarcely a deviation from the typical formula yet can hardly be classed as a mere regurgitation of what she?s done befor. After all, her spoken word critiques and rants are what she does best and this time the impassioned sloganeering is set to sombre acoustic guitars and banging techno beats in equal measure. ?I wanted to be certain that I did something that had value to my audience and to myself. I want to give the best I can. I also want to give something that the audience recognizes but that also challenges them. The most important thing for me was keeping a clear perspective and maintaining my vision of what the album should be.?

Clark?s music has often been described as bordering on Weltschmerz but she is keen to point out that far from being a 24/7 misery she simply uses music as a means to understand and cope with difficult issues: ?I always find it curious that people feel my music is lacking emotion. I fill it to bursting with emotion! Energy and communication are the primary elements to my work. It has certainly never been my intention to release material that makes people depressed or gloomy. I don’t deny that there is an element of melancholy and introspection in what I do but for me the purpose of music, poetry, books is to help us deal with parts of life that aren’t so easy. I think you’ll find the themes of most of the greatest works aren’t always the jolliest!?

With a flair for memorable electronics and certain degree of formality and distance in her music it?s perhaps no surprise that Clark is especially popular in Germany and she herself is very positive about her German fanbase: ?I adore my German audience! They have been so loyal through so many different and difficult periods,? she enthuses, ?For as long as I can remember I have been fascinated by Germany and German culture. Despite all the clich?s, I find German art and culture passionate and full of fire.

There is a romanticism and honesty, a directness that I love in its poetry, music, painting. It touches me very deeply.? In October Clark will set off on a European tour which will see her busy until mid-February. Yet despite the intensity of the schedule, it?s an experience she adores, ?I love touring. For me it is the ultimate part of this whole thing. Everything comes together – the music, the musicians, the audience, the energy shared. This is going to be a very long and no doubt very tiring tour but what a privilege to again be doing something I love so much.?

With a new album about to hit the stores and lengthy tour in her diary, Anne is back on the radar doing what she loves and as an artist with more experience under her belt than most she has seen myriad developments within the industry yet is confident that changes happening now can only work in the artist?s favour: ?I have to say what enormous pleasure it gives me to see the greedy grasping hands of the industry losing their grip on artists at last. The arrival of technology has been like a renaissance for so many musicians. There will of course always be the “pop music industry” and that is fine but for so long “Artists” have lost out to “Products”. Now, through the Internet, downloading sites etc. there is a whole other world for people to discover real music in and for the people that create it to have a platform. It should be wonderful.?

It should indeed. Clark remembers an incident that would have most artists foaming at the mouth: ?I asked one of my record companies for a tiny budget for a re-mix. They gave me half of virtually nothing. That same week a model who had been fucking one of the executives got an advance of ?250,000 to make an album that nobody ever bought!? Her response? ?C’est la vie, eh??

100% Pure Industrial Noise Electro to the head

15.11.08
Schlagstrom!

live:
HECQ (Hymen)
DJS:
Agent Provocateur
Broadcaststorm
Visuals by dekonstruktiv
Record Release – New Bahntier Album (CD Verlosung)

start: 23:00
Eintritt: 5?
@ RAW-Tempel
Revaler Str. 99 (Tor 2)
S-U-Tram Warschauer str.

WHO IS JONTY SKRUFFF ?

We have been getting messages asking who he is… so we thought it’s time to feature him.

Check out his latest DJ Mix! (Click line below)

Jonty Skruff DJ Mix OCTOBER 2008

We’ll have to point though that you have to experience him in a club situation. The way the bass frequencies work on your brain and stomach. MP3 format hardly gets across what it feels like in the clubs. But we trust your imagination…close your eyes…..and you’ll know….we are loving this mix….

This is how Jonty is described in his bio:

Jonty plays dirty rocking, bass-heavy electro-tech, mixing together electro, techno, hip hop and rock into a seamless stew of high-energy alternative, cutting edge dance music.

Check his myspace for remixes, upcoming dates and more:

http://www.myspace.com/djjontyskrufff

4 years after launching his DJ career at ultra-fashionable London club Golf Sale (aka Boombox) Jonty Skrufff has firmly established himself on the international alternative electro circuit, headlining underground clubs, festivals and superclubs in twenty-one countries so far.

Picking up prestige repeat bookings everywhere from Pacha Ibiza and Judgement Sunday (Ibiza), to Serbia’s Exit Festival and Czech Republic’s Summer Of Love festival, he’s also toured Brazil four times
(spinning regularly at D-Edge, Vegas and mad tranny institution A Loca) as well as enjoying a high profile tour of China last Christmas.

The 9 gig trip included performances in front of 2,000 revellers at both G Plus superclubs (in Shanghai and Hangzhou) plus an exclusive set before 6,000 Chinese people in Beijing on New Years Eve. The Coca
Cola backed party was Beijing’s first ever official (Western) New Year’s Eve outdoor event and Jonty was the only non-Chinese performer at the high profile event.

Elsewhere, he’s played Japan (Club Ageha), Lithuania, Bahrain, Israel, Ukraine, Hong Kong, Thailand, France, Spain, Holland, Norway, Dubai, Czech Republic and the Balkans (Croatia, Slovenia, Serbia, Montenegro and Bosnia) though still plays most frequently in London and Berlin (where he now mainly bases himself when not travelling).

In Berlin, he’s a regular guest at acclaimed trash, rock-electro queercore party Neon Raiders and has also headlined Berlin’s mighty Tresor a number of times after being invited to DJ at the legendary club’s grand re-opening in May 2007.

Spinning alongside fellow Skrufff DJ Fidelity Kastrow, the duo played a joint seven-hour set in the club’s experimental room and made such an impression that Tresor invited them back immediately (to play the very next night)

“At the opening night parties back In May, Batterieraum fans didn’t know what hit them when the dirty rocking bass heavy electro-tech spins by UK’s Jonty Skrufff met the sex-soaked electro style of
Berlin’s Fidelity Kastrow,” said Tresor in their newsletter following the gigs, “These were sparks to remember.”

Back in London, he plays regularly at the capital’s coolest cutting edge clubs, with upcoming gigs include Gutter Slut, Calling All Tribes and Naked Zoo @ Egg (plus an imminent return to Pacha London).

As well as DJing, he also continues to produce and present the Skrufff Show on Ministry Of Sound Radio, as well as publishing his hugely acclaimed weekly sex-drugs-clubs & politics e-zine Skrufff-E
(available at http://www.skrufff.com http://www.skrufff.com).

He’s also now actively involved in making music, co-producing and remixing Fidelity Kastrow’s upcoming single 21st Century Girl and Trainwreck with Radio 1 star Judge Jules, with more productions and releases to follow imminently.

For DJ bookings and more information, please contact Jonty direct at jonty@skrufff.com or email Mark Reeder (mark@mfs-berlin.de ) or Nina Morgenstern @
nina.morgenstern@mindcreatesmatter.com
Promoter Endorsements:

“Thanks for playing at Judgement Sunday, Jonty, It’ll definitely be a repeat performance(s)- there’s been lots of good feedback about your set.”

Judge Jules, Judgement Sunday, Ibiza

“For your absolutely fuckin’ great performance at Exit I have to say only this: Jonty is a prophet from the future and he KNOWS where electro music goes! He takes us there! And now I’m a believer!”"

Predrag Nikolic, Exit Festival (Electrana Stage Organiser), Serbia

“Skrufff (that’s 3 F’s people) has been playing for me since my first ever gig at a small intimate bar in East London many moons ago and he has been a firm favourite ever since. From The Cross to The Key and
now Pacha and 4 years later he’s still destroying the dancefloor week in week out! Legend… although he could do with a haircut!”

James Clent, Pacha London

“Incredible, fantastic, amazing… I don’t know how to express the energy of Jonty Skrufff’s DJ set. His rocking electro-disco-tech simply rocks!!!! and makes people dance all night. They all did in Roxy and O2 club in Prague, Czech Republic. We want Jonty back soon!”

Michal Walterstein, Roxy Prague PR Director, Czech Republic,

“You did an awesome job at Volar. Thanks for putting your heart into it.”
Jaime Ho, Promoter, Club Volar, Hong Kong

“Thank you! It was a great party! We really enjoyed your dirty punking rocking electro set and we also received only positive feedback from the crowd! Let’s Go Punk’s absinthe party has now changed into a tour
where we take the concept forwards. We’re going to meet again soon!”

Gregor Zavcer, Supreme FM and Absinthe Supreme.

“You and Fidelity Kastrow were just great, everybody’s still talking about it. Your set moved even the stones in the fortress. Nothing’s gonna’ be the same again in this city.”

Neofest International Peace Festival, Banja Luka, Bosnia

“Jonty’s started a revolution in our town. People here never heard a set like the one he played- everybody’s jumping around, dancing, and his energy is spreading around and going up. We want more definitely.”

Marcella Zanki, Metropolis, Split, Croatia

“Just a quick note to say I love your mix CD for MOS radio. Could you send me a track listing?”

Chris Lowe, Pet Shop Boys, UK

LATEST RELEASE FROM OUR FAVORITE UK ELECTRONIC LABEL! ROTTERS GOLF CLUB!

(The others might as well shut down over there and leave the knob action to Grundig, Siemens and Doepfer.)

This is unfiltered info from Andrew and The Boardroom….read it, and watch out for more info over the coming weeks. There will be parties and more…..

“The Boardroom is a group of dapper men about town who spend their leisure hours haunting the Boardroom Studios producing aural delights for fans of electronically informed dance floor beats. Mr. Weatherall dropped in and inspired by the tunes he heard twiddled a knob or two and, aided and abetted by the Boardroom?s resident guru, Steve Boardman came up with this marvelous collection. Mr. W enjoyed himself so much he invited Mr. B to collaborate on his upcoming solo album ?A Pox on the Pioneers.?

03-the-legacy-snippet-1

04-spread-the-hot-potato-weatherall-mix-snippet-1

06-the-legacy-weatherall-remix-snippet-1

07-patient-saints-dave-congreves-boardroom-remix-snippet-1

08-shack-54-esc-mix-snippet-1

More about the Boardroom can be found at www.theboardroom.ath.cx click here to go to the boardroom

The Boardroom members present, correct and up for being interfered with are:

Rad Rice: aka Radical Majik – A DJ and remixer of twenty years standing. His most recent outing was ?Dubrider? (Klang Elektronik) which appears on Sven Vath?s ?Cocoon ? Sound of Ibiza Vol. 8?.
www.myspace.com/radicalmajik click

James Moss: AKA E.S.C. aka Sterling Moss – Mr Moss has DJed, produced and run labels on the UK and international techno scene and represented Roland via live events.
www.myspace.com/pressescape click here

Dave Congreve: AKA Conman aka Repeat Repeat – One time Two Lone Swordsman tour DJ and current resident at Nottingham?s Stealth and Dig Your Own Rave in London.
www.myspace.com/conmanuk and check this as well

Sidney Le Sarge: AKA Le Sarge En Board - Debonair and distinguished DJ for Lower Than I Can Remember and familiar face on many a film set.”
www.myspace.com/lesargeenboard and finally click here

?Neither of us is typical in our approach to the world.?

Untypical is definitely one adjective that can be used to describe autoKratz.

Even David?s first encounter with bandmate Russell was far from conventional: ?Some pissed up wanker puked on my shoes outside a club. I was about to kick his head in but felt sorry for him as he had also puked on his really nice Devo T-Shirt. That wanker was called Russell. It was the start of a turbulent friendship that can only end in murder!?

Despite those less than glamorous beginnings a solid friendship and incredibly productive working relationship quickly blossomed. ?We locked ourselves in a grotty studio in the East End and started trying out some ideas,? explains Russell, ?Influences came from loads of places but have never dominated things as making something original is essential to what we do.?

While the autoKratz sound was still in development an early demo found its way into the hands of Gildas Loaec, head of slick Parisian label Kitsun?, who was so taken with the embryonic autoKratz sound that he immediately added the band to his roster. It?s a creative partnership which the guys are immensely happy with as David explains: ?We can go to Gildas with an idea and he’ll throw it on its head in such a fantastic way. Everything from the artwork onwards is such an interesting process. It makes you push yourself.?

Russell is equally convinced that the maverick attitude of the label makes it the perfect home for them:

?For me Kitsun? is so important in electronic music because the forces behind the label are so adamant on continually moving forward rather than finding a sound and monopolising it for ages. They are constantly on the look out for new things which are exciting and original and needn’t necessarily fit the template of what people expect.?

Getting the music out there also seems to be a turn-on if their intense touring schedule is anything to go by. Their blend of hard rock attitude and dirty, fuzzy electronics has been wowing crowds all over Europe and shows no signs of letting up.

?The live thing is so hectic at the moment and going from strength to strength,? says Russell, ?Last week we played to over seven thousand at Dour Festival in Belgium and it was absolutely unbelievable.

It was one of the most amazing experiences of my life to see that many people turn out for autoKratz and go for it in a massive way.? Touring is also something which is necessary to their artistic development as Russell explains: ?To have the opportunity to travel round the world playing your music to people is pretty unbeatable. We love meeting different people and seeing how youth and electronic music culture is different across the globe. It?s really energizing to meet people who share excitement for this kind of sound.

I would say with the music we write we try to be original and innovative so although we thrive on inspiration and influences the music can only reflect you at that point in time and what’s going on in your head.?

Inspiration comes from all sorts of places and touring and exploring new countries and cultures is certainly one of them. But what about the guys? musical heroes? Needless to say, they?re quite diverse.

?The first time I heard Underworld it blew my mind!? enthuses David, ?The intense vocal deliveries and weird lyrics all underpinned with a dark electronic score which was neither techno or house; a rarity in the early/mid 90s. And Russell? ?I was brought up on a diet of Shoegaze so at home I suppose I still find myself listening to loads of My Bloody Valentine, Jesus and Mary Chain, Chapterhouse?that kind of thing. I’ve always been fascinated by bands that explore other sides to their creativity to produce this wealth of amazingly innovative and forward thinking music.?

A lot of hard work and a little bit of good fortune go a long way in this business and the autoKratz story has progressed from humble beginnings to the verge of super-stardom in a relatively short space of time.

Kitsun? have jumped on their sound with gusto thus far releasing four very sexy 12? singles, the newest of which, Stay the Same, recently topped DJ Mag?s Hype Chart ahead of tracks from Hot Chip and Laurent Garnier. A 9-track mini album is due to drop in autumn, intended to draw a line under the first chapter of autoKratz?s musical odyssey before work starts on their hotly anticipated debut LP.

And if you?re expecting more of the same, then it might be wise to think again; unlike some of their peers, autoKratz certainly won?t settle for sticking with a sound that sells at the expense of creative development as Russell points out: ?For an artist to be truly important, moving forward, changing and innovating whilst still remaining compelling must be a prerequisite. Like an involuntary reflex.?

www.myspace.com/autokratz autokratz myspace
www.kitsune.fr kitsune website

NEALE LYTOLLIS

The remix EP takes the intimate soundscapes of the album out onto the dance floors.

Siluh and Eat Your Heart Out collaborated and brought together well-respected remix producers from varied areas of electronic music.The result is an overwhelming mix of cutting-edge DJ tracks.

They also use it as part of their promo campaign along with Trentm?ller’s remix

free via this link:

click here to download

Raveonettes Remixed EP cover

COLD METAL PERFECTION (2001) and WHITE HEAT (1998)

Both releases are out of print and the physical copies are sold out since two years.
This is Nic Endo’s gift to her fans before her new solo release is ready to launch:
The two albums have been completely re-mastered from the original analogue tapes with the latest 24bit technology at The Hellish Vortex Studios in Berlin.

Nic:” When I heard the new version it felt like listening to a different record. It sounds so much bigger and more powerful now.”

Comprising previously unreleased 9 min. masterpiece “Walking-Dancing-Falling”,
Nic Endo wrote for a modern dance performance, that was staged in London 2002.

The 2CD boxset includes a poster (DIN A2 long / 29.7cm x 84 cm), sticker, badges and new artwork.

This ultimate Collector’s Edition is a true must have for all die-hard Nic Endo fans!

www.indiestreber.de review (german)