Alec Empire DJ Set @ The Suicide Club Berlin 1995 (!) “Digital Hardcore”! by Alec Empire on Mixcloud

Berlin 1995: The digital hardcore scene has found a space…they call it The Suicide Club. The club exists for about 5 months. Bands like Atari Teenage Riot, Ec8or, Shizuo, Sonic Subjunkies, Christoph De Babalon, Killout Trash and many others perform there. This is a rare recording of Alec Empire DJ sets at the time…which basically defines what Digital Hardcore is. Fast cuts, polyrhythms, noise scratches and digital chaos that leads to moshpits and riot grrls dancing…

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A new book called “The Electro Legends Interviews” is coming out this month.

Interviews with Gary Numan, The Prodigy, Aphex Twin, Vince Clarke, Kraftwerk, Alec Empire, Underworld, Moby, Ultravox and Hot Chip.

Get it here for your eBook reader::

http://www.amazon.com/dp/B00CPLBBY6

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http://www.kickstarter.com/projects/26788492/aaron-swartz-documentary-the-internets-own-boy-0 

Brian Knappenberger is working on a new documentary! Check it out… watch the trailer! And support it An investigative documentary from director Brian Knappenberger about the life of the internet pioneer and activist Aaron Swartz. If you are using the internet then this film matters to you and has more to do with you than you might think…

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On the 29th of November 1999, Atari Teenage Riot played the last concert of their yearlong Revolution Action World Tour at the Brixton Academy in London.
Though the band members had become physical wrecks from the endless touring, studio recording sessions and drugs, they decided to extend the European tour and agreed to the concert request by the American band, Nine Inch Nails.

Alec Empire:”…Crack had just tracked us down somehwere in Spain. he was going through a lot of hassle ’cause during takeoff he’d tried to get off a plane through the emergency exit. The police were called in…he’d been psychotic since the concerts in Japan…
They were saying he even “threatened” a stewardess who’d tried to pull him away from the emergency exit…
so he couldn’t come along on the first leg of the European tour….the endless legal bullshit…they even wanted to have him committed.
For almost a week we didn’t know where he was. And the media reported it every chance they got..
I mean they just write whatever they want to anyway…though otherwise I’d only seen that from the contents of our answers…but this time round it wasn’t about manipulating an opinion…
For weeks I’d been on painkillers, just about everything, mostly codeine…drugs ain’t my thing…I was getting worse and worse…
there were shows where I had a hard job just staying on my feet…but I though I was able to cover it up somehow.
During the final concerts all Hanin could do was puke on stage…as fas as she could she struggled on…
she doubled for me when I’d reached my limits, and I did it for her…Nic Endo delivered her most aggressive noise attacks since she’d joined the band. And everyday all we talked about was stopping.
The stations began to add their own comments to the interviews they were broadcasting, saying that the station was distancing itsel from the the following interview and that it in no way reflected the opinion of the station, on and on…
I reached the point where I didn’t give a fuck whether they sued me or not…I mean they are all just assholes you know…
Hanin had been spitting blood…and while we were having a meeting in our hotel room in London to discuss the situation, the first reports from the riots in Seattle and London came on the television…It was deadly serious, it couldn’t go on any further…
She wasn’t able to get up on stage anymore. Already at the start of the tour the doctors had forbidden us to perform.
But when the call came through we had to make a decision, and despite everything we all decided to go for it – a pure noise show, without Hanin, and we’d start it right at the point where we’d normally end an Atari Teenage Riot concert.
When we were finally standing in front of a sold out-out crowd of 8,000 people, Nic and I felt like we were in a bubble, a capsule, cut off from everything around us. She whispered to me that she felt angry and powerless at the same time. I wasn’t able to take the audience for what they were anymore – they’d become like a kind of hostile atmosphere…if at all.
Carl created a freestyle through the vocoder that distorted every human dynamic into a flanging robot voice: Our attack had begun…
That was the end of the tour, and our end to the millenium, the decade, the 1990s or whatever it was…
I still believe everyone’s opinion of the concert was divided…on our way to the tai afterwards a few kids threw their ripped up ATR t-shirts down on the ground in front of us…others jsut couldn’t get enough of it…a lot of them hated us…”

To this day nobody has proven there’s ever been a comparable Noise concert of that scale in the history of music.

OUT NOW ON THE BAND’S BANDCAMP – REMASTERED! 

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ALEC EMPIRE AND NEWEST ATARI TEENAGE RIOT MEMBER ROWDY SUPERSTAR BUILT THE BERLIN BOILER ROOM INTO A MOSHPIT A FEW DAYS AGO. (IF YOUTUBE CLIP DOESN’T SHOW ON YOUR DEVICE, PLEASE CLICK THIS LINK http://youtu.be/8qfJcOqDOXE )

THE BOILER ROOM SERIES ARE WELL KNOWN AND ALL RELEVANT DJ’S HAVE DONE A SESSION FOR THE INTERNET STREAMING PLATFORM.

AFTER HOURSE OF SLOW MOTION DUB SESSIONS BY LEGENDARY PRODUCER POLE AND A FEW OTHERS, THE ATR TEAM “DE-SYNCED” THE CROWD AND PEOPLE DID SOMETHING THEY USUALLY NEVER DO ON THE SHOW: THEY DANCED!!!???

ALEC EMPIRE USUALLY NEVER SPINS ONE DIRECTION OF ELECTRONIC MUSIC GENRES IN ONE SET. HE CHANGES TEMPO, STYLES, SCRATCHES WITH JAPANESE NOISE RECORDS, WAKES THE CROWD UP WITH ABSTRACT BEATS BUT ALSO KEEPS THE CROWD MOVING WITH STRAIGHT TECHNO AND ELECTRO TRACKS.

WE REMIND YOU TO CHECK OUT HIS VERY EARLY TECHNO PRODUCTIONS ON FORCE INC MUSIC OR ANALOGUE RECORDS FROM VERY EARLY IN HIS CAREER – HE HAS PRODUCED A LOT OF DANCE 12 INCH EP’S AND WHITE LABELS – POSSIBLY MORE THAN HE HAS DONE FOR DIGITAL HARDCORE.

ROWDY SUPERSTAR HAS A NEW SOLO ALBUM OUT ON MATTHEW HERBERT’S ACCIDENTAL RECORDS AND IS ALSO WORKING WITH LEGENDARY HOUSE PRODUCER ADAMSKI (YES, HE DID “KILLER” WITH SEAL).

WE HOPE THAT BOILER ROOM WILL BE OPENING UP THE SESSIONS TO EVEN MORE EXPERIMENTAL SETS IN THE FUTURE!

WITH THE RISE OF EDM AND DUBSTEP IN THE USA, THERE A HUNDRED THOUSANDS OF NEW FANS THAT NEED TO BE EDUCATED ABOUT THE DIVERSITY OF ELECTRONIC MUSIC. AT LEAST THAT’S WHAT WE THINK…

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From the Halo8 team:

“This is the full-length cult/guerrilla/no-budget (obv)/16mm/punk movie THREAT shot in the LES during the mid 90s in the final years these streets were known as Alphabet City before the gentrification boom that followed later in the decade.

*This is the version that was released theatrically in 2006 with some re-edits and alterations (note the voiceover comments on 9/11, which occurred well after filming). I’m also going to upload the original “touring version” that played in underground venues across the US & Europe in the late 90s.

The film was shot super low budget on 16mm film stock left over from local TV shoots and cameras borrowed from a film co-op after hours.

You can get the DVD (with soundtracks featuring Minor Threat vs Holocaust, Gorilla Biscuits vs Defrag, Youth of Today vs Edgey, Glassjaw vs Enduser, Killswitch Engage vs Edgey, Bleeding Through vs Hecate, Most Precious Blood vs Atari Teenage Riot, and many more) at Amazon or at Halo-8′s website (http://www.halo8store.com).

There’s more info on the film herehttp://en.wikipedia.org/wiki/Threat_(film) but it only refers to the 2006 version, it needs to be updated with the full history. Threat was shot in the mid-90s contemporarily with Godmoney, Edge of Quarrel, Godass, and NYHC.”

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Zan Lyons performs at TED in Berlin – 15min great performance! Now up on the TED channel.

Alec Empire interviewed Zan Lyons for EYHO Blog a while ago. Read the interview here 

While the TED clip shows more his musical side, his strength is the combination of audio and visual.

He creates his own films and video art that syncs up with his music. Make sure to follow Zan Lyons on Twitter and attend one of his shows!

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Silvershower (Ian Pooley) DJ Mix for Les Enfants Terribles

Ian Pooley returns to the harder side of techno with “Silvershower” – IT WAS ABOUT TIME!

This is how it’s done… isn’t it weird that nobody gets excited anymore about a “DJ mix”?

Why is that? Yes, because too many full on idiots are out there who don’t know how it’s done and they spoil the soup.

We appreciate it even more when we hear a mix like this one. Turn it up and see what happens!

Make sure to catch his set live :

ZA29DEC

LES ENFANTS TERRIBLES
Don Williams (Mojuba, Berlin)
Silvershower aka Ian Pooley (techno set) (Pooledmusic, Innervisions, Berlin)
Jean Pierre Enfant (LET, Trouw, Amsterdam)

DE VERDIEPING
LES ENFANTS TERRIBLES
Levon Vincent (Novel Sound, Underground Quality, New York)
Recondite live (Hotflush, Plangent, Berlin)
Carlos Valdes (Soulrock, Amsterdam)

Het ergste moet nog komen!

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CHECK OUT ALEC EMPIRE REMIX OF “FOR THE REST OF MY LIFE”

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WHO PLAYS BETTER SYNTHS ON THE KORG? CX KIDTRONIK OR DAT ASS

YOU DECIDE… OUR OPINION : PUT OUT YOUR DAMN ALBUM AND QUIT FRACKING AROUND

THIS IS GOOD SUN RA ELECTRO STUFF….AS IN THE FIRST STEP IN THE RIGHT DIRECTION

DO WE NEED NAKED GIRLS TO SELL MUSIC? MMMH….

A CX KIDTRONIK SONG IS NOT A HARLEY DAVIDSON ….NOT YET AT LEAST

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Now we just need snowflakes !

Available from December 3rd 2012 worldwide at all major online music stores.
The official video for “Quiet The Mind” will be released Xmas 2012

New IAMX album, DVD pre-order: http://www.pledgemusic.com/projects/iamx

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ROWDY SUPERSTAR’S NEW SINGLE “BREATHE” & DEBUT ALBUM “BATTERY” TO BE RELEASED 12.11.12

“The genre defying Rowdy Superstar presents an utterly compelling proposition. An attitude fresh from ‘77 but a pure naughties conceptualism set against a background of bass-charge electro” – The Line Of Best Fit

Fearless experimental pop icon in the making (and the newest member of Atari Teenage Riot), Rowdy Superstar’s new Single “Breathe” and debut album “Battery” will be released on 12th November 2012. The album was produced by musical pioneer Matthew Herbert, and will be released on his label Accidental Records .

“With Battery I played with distortion and sounds and found myself at a point where I thought it was important to shine light and positive energy. To inspire people to think freely and love limitlessly and fight for what they believe in; to question how we communicate and the rapid speed of a digital generation and where it leads us.” – Rowdy Superstar

Described as “An outrageous slice of pop music with its intelligence left intact” (Clash Music), on first listen “Battery” might sound like a glossy yet quirky leftfield pop album destined for dancefloors and iPod party playlists. On closer inspection the underlying message is of hope and perseverance in the face of judgement and doubt, in a similar vein to writers such as Santigold, Outkast and Prince. The intense third single from the album, “Breathe”, tackles feelings of internal struggle, as Rowdy takes your hand in the darkest moment before the dawn – “why does everything, seem so dark, when outside, the sky is blue, the forecast is dry, open your eyes and breathe in.” It also features remixes by The Invisible, Raisa K (Micachu and The Shapes), and Hello Skinny (aka Tom Skinner).

Growing up in West London, Rowdy channelled his energy into creativity as he saw others around him lose sight of their dreams, and in some cases their lives. Starting a dance company and working as a successful stylist before making a splash with his early demos on Myspace, Rowdy pours his endless ideas into every part of the artistic process, from writing and production to art direction and choreography. Known for his eclectic DJ sets and notoriously exciting live show (complete with lighting system, Hype Girls™ and loud speaker), you are likely to see Rowdy popping up in the most unexpected places (probably without warning) throughout the rest of the year.

http://www.rowdysuperstar.com
https://twitter.com/rowdysuperstar
https://www.facebook.com/rowdysuperstarmusic
https://itunes.apple.com/gb/album/battery/id569830367

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HAPPY BIRTHDAY PONG !

WE HIGHLY RECOMMEND BUZZFEED ARTICLE BY CHRIS STOKEL-WALKER ON THE BIRTH OF VIDEO GAMES

“Today, Rooster T. Feathers Comedy Club at 157 West El Camino Real in Sunnyvale, California — slap-bang in the middle of Silicon Valley — faces out to a Chinese restaurant and taqueria across a three-lane road. It’s squeezed between a Goodyear garage and a check-cashing place; on the corner is the California Paint Company. Drive down Route 82, head onto Sunnyvale Saratoga Road, and three or so miles down the street you’re at the Apple campus in Cupertino. In the fall of 1972, Rooster T. Feathers was Andy Capp’s Tavern. “Just a dive bar, nothing special,” says the club’s manager, Beth Schumann. But this dive bar would soon become the video game industry’s Plymouth Rock, Mount Sinai, and Cheers, all rolled into one.

This was where Pong…(CLICK LINK ON TOP TO READ FULL ARTICLE)” 

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Check out special release by Death Grips…remix album by 42ghosts…

They left the Major label (THANK YOU FOR NOT KILLING IT!) and keep going strong…

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The bandcamp link is here http://42ghosts.bandcamp.com/album/death-grips-42ghosts-triple-ex-military

Alec Empire posted the snippet on his Facebook a few hours ago and wrote:

” How can I describe them?
Imagine if Rammstein and Jesus Christ had a child, that’s what it would sound like. Bring the fireworks – the end of the world is COMING – I love you all! haha ”

We can’t wait to hear the full version. Almost a year ago, Korn called in a bunch of Dubstep producers to appear on their album. It was just a question of time when a new Rammstein type band would emerge from this. Of course Mr. Empire couldn’t resist lay his dirty hands on them to free them from their sins.

This just asks for fukcde up viral videos with the Pope dancing to it. Is this even allowed? Romney and his mormon nut cases lost the election. Do DJs need to add fuel to the fire of pain???

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ROWDY SUPERSTAR RELEASES NEW SINGLE “BREATHE” , PRODUCED BY MATHEW HERBERT

While the UK music industry tries to re-release the same old indie rock junk, done by white males (Yes, go more Romney, Great Britain, you’ll see where you’ll end up. Tackle that constant underlying racism instead? The 60ties are over, and the 80ties too), London born Rapper Rowdy Superstar doesn’t ry to copy American artists.

Is the UK indie scene on its way out of the crisis? Is this the first sign?

Support Rowdy Superstar. (Yes, he is the rapper who appeared in Atari Teenage Riot this year at Coachella)

“BREATHE IS OUT NOVEMBER 12TH 2012″

Pre-order now via iTunes https://itunes.apple.com/gb/album/battery/id569830367

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When the Disco God openend up his first soundcloud profile with some music, we were all like ..that’s cool. But then he kept adding more and more and more music.

Make sure to check it out, download it all and play it.  It’s all there.  (and yes, our Daft Punk vinyl 12 inches are for sale on the internet now. no need for that junk anylonger)
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http://ec.libsyn.com/p/f/3/c/f3c65ea148cb7693/nsp-102312-ep293.mp3?d13a76d516d9dec20c3d276ce028ed5089ab1ce3dae902ea1d01cd8637d7c85ab59e&c_id=5075575

Both appeared at the RSA conference in London a few weeks ago (photo below)

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read Alec Empire text via Electronic Beats:

“ It was in 1993 that I first witnessed AdrianSherwood using the mixing desk as an instrument. He was in the room next to us at London’s Roundhouse Studios where we were working on tracks for Atari Teenage Riot. I remember so clearly how he was artfully layering sounds and using old delays and phasers to create this wide-open space—dubbed-out sonic landscapes is one of his specialities, of course. If you listen to seventies dub like Lee Perry’s “The Good, the Bad and the Upsetters” it all sounds very compressed, compared with Sherwood productions, where you can clearly hear each element. It’s sound as vision. Listening to him work that day, it became obvious that…. continue via link below

http://www.electronicbeats.net/2012/10/13/alec-empire-recommends-adrian-sherwoods-survival-resistance/?utm_source=twitterfeed&utm_medium=twitter 

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Atari Teenage Riot had worked with Steve Aoki’s Dim Mak Records on various remixes for their latest single “Collapse Of History”.

Producer team Christine delivered one of the strongest remixes this year and had done a viral video for it that we love.

check it out and turn it up loud.

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more info here http://expmtl.com

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http://www.artrocker.tv/news/article/fly-53-zine-in-association-with-artrocker-out

Watch Atari Teenage Riot smash it at Astropolis Festival in France last weekend !

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Watch Atari Teenage Riot via ARTE TV ! Powerful – the full performance!

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Alec: “winter 1999 @trent_reznor introduced me to Gary Numan @numanofficial after our @ATR_official Brixton Academy show. Now I finally remixed Numan! As a music fan I can only say all things are connected and are epic once you realize it… love you all ????”

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London riots August 2011  by Alec Empire

About 15 hours ago or so I was listening to Obama’s voice over the internet…online radio…

 I was doing something else, nothing important really… I had returned from Japan a few days before, but somehow this time jetlag had hit me pretty hard despite having played such energetic shows over there…

 Sometimes in the past I felt nothing, but this time it was like that scene in Fight Club in which Edward Norton lays on the couch with his remote control, flicking through TV channels, suffering from insomnia. The only difference was that I had got rid of my TVset almost 10 years ago. I had three totally different books in front of me, couldn’t focus at all.

But when Obama came on, I suddenly felt a shot of adrenaline, I woke up. He was talking about how “Standard & Poor’s doubted our political system’s ability to act” – the US had been downgraded to an AA+ level. The debt level was increased, the problems far from solved. The information wasn’t what alerted me, it was the tone of his voice.

 When Obama got elected, he convinced a whole generation just by speaking to them in a certain way, that democracy and capitalism will work out for everybody. We CAN change and improve things. Even though I come from a very different political standpoint and I am very aware of the power of the system, when it comes to the system changing individuals who tried to change it, I heard an honesty in this man’s voice which was rare amongst politicians. But suddenly what seemed to have changed mostly for me was his voice. It was the voice of a man who failed badly but out of respect for his listeners was performing a duty.  The job of being President.

 We live in a society which has no place for optimism anymore. It’s gone. Nobody wants to take the risk and predict a future,  mainly because everybody feels powerless. Nobody even wants to take the responsibility and take matters into their own hands.

It’s stagnant. Establishments are regarded as fools. It is a constant battle between the ‘wisdom of the crowd’ and the ‘mob mentality’.

So while I was starting to feel like I was actually back in Berlin and awake, I looked outside the window, down on the street in which Atari Teenage Riot had played the peace demonstration on May 1st 1999. Thousands of people protested against Germany’s first involvement in an attack war since World War II. I remembered when I was on the microphone during a song and saw how the police beat into the, at that point, peaceful crowd. Of course the situation escalated, it’s all on film. Even though the images have become iconic and still give viewers the chills, but in my opinon they also tell a story of failure…

There is a long tradition in Berlin that the labor day, the 1st May ends in violence. In 1999 it was supposed to be different. The intent was to get across how serious people treat this issue of Germany sending their soldiers to war. The police failed, because they didn’t break up the crowd and things got out of hand. We all failed to get the real message across. The media had their images of violence, and basically a decade later, it seems perfectly ‘normal’ for German politicians to send troops into other countries.

Violence is always the result of people failing. Failing to communicate, failing to take responsibilities, failing to solve problems. Always.

 Now the street in Berlin, Kreuzberg looks peaceful and quiet. Like it did a day before May 1st 1999 and the day after.

 I turned back to my computer. The different news feeds were sending update after update. “Freddie Mac reports 2nd quarter loss, asks for $1.5B in federal aid”, “Bank of America now down -20.31%”, “Asia stocks fall after U.S. #stocks dive”, “Losses accelerating at Australian stock market; S&P/ASX200 index off 5%”

At the exact same time, more reports about looting in London, riots, clashes with police.

When European politicians discussed the crisis in Europe over the past weeks, you couldn’t help but get the impression that ‘the markets’ were some sort of wild untamable beast for them. One wrong word and bang, the swarm moving into another direction could destroy you. It makes people manipulate facts, makes people hide problems instead of solving them.

 In situations of great stress and pressure most people just react to fear. When we want to understand the reasons for violence, we must look at fear first.

Once the snowball starts rolling, the destructive dynamic of it all can become so big, it takes a long time to heal and to repair the damage.

Vocalist Carl Crack sang in the Atari Teenage Riot song from 1993, an adaption of Sham 69′s ‘If the kids are united’ that ”the violence is a disease – it will become parts of our lives and our future if we don’t DO something against it! If we put our energies together it can be a very powerful era!”

The song was a reaction to the racist attacks by Neo-Nazis in reunified Germany which made most people call for more police, more laws, harder punishment. Carl was basically saying that we must act without waiting for the help of big brother government.

The link between Neo-Nazi ideology spreading and receiving more support and conservative right wing politics of the German government were clearly visible at the time.

 There is a  connection between mob, political leaders and those who do nothing and watch in apathy…

 How often did we think about that in Germany since we were children? I can’t count it… How did Facism happen? How could people let it happen half a century ago? So when you constantly deal with the consequences of that history, you will always reach the point where you must think about the dangers and dynamics of the ‘mob mentality’.

 It spreads like a virus, but make no mistake. When riots and violence occur they are always the result of those in power failing.

 When a corrupt system falls apart, it never happens in a ‘controlled’ and ‘thoughtful’ way (apart from maybe GDR in 1989 which is almost a miracle in history). Real riots are not lead by intellectuals who read Marx, so don’t expect it.

 But also don’t step into the mainstream media mouse trap:

The August riots in London have nothing to do with ‘anarchy’, they are the fruits of capitalism and the consequences of government decisions.

If you think ‘mindless thugs’ have ‘nothing to do with society’ and your part in it, you might be part of the problem.

 To make it clear: I don’t justify or judge anything. I am saying there will be more because the system doesn’t work anymore.

I don’t think in terms of morals, wrong and right. So when this stuff happens, it is EVERYBODY’s fault. mine, yours, theirs.

 It is frustrating how some people let politicians & bankers set fire to whole countries’ economies and their future but now are in shock of the results.  People who commented were speaking as if a natural, unexpected disaster came over them, one that they didn’t have any control over or could have not prevented.

 I know everybody got used to torture & war during the Bush years. But here is a  reminder: Violence is ALWAYS a failure and a sign of when things go very wrong.

 Reading opinions of other music fans from the UK I realized during that quiet night in Berlin, that people repeated commentaries of mainstream media, but disguised them as their own opinions.

The reporters kept repeating the same words over and over again: Mindless violence.

You got the impression that either this was decided before they arrived at the scenery or they kept copying and pasting from each other.

What struck me is how they made “mindless violence” sound like a crime in such a way that you ended up suggesting that “thoughtful violence” is justified in our society.

I lean back and read Wikileaks Twitter “The BBC can interview the Taliban, but is apparently incapable of a single meaningful interview with a London protester. “protesters” or “rioters”, there are no interviews, but endless pathetic commentary.”

It makes me think… Why do people divide between rioters and protestors? Aren’t those as ‘guilty’ who stood by and watched how a whole generation of young people were put into a corner where there is absolutely no way forward anymore? Morally is there a difference between a corporation which pays workers overseas pretty much nothing for manufacturing trainers and teenagers who steal them?

Who is attacking your property more? The looters who throw a brick into your window or the government who lends so much money that your children won’t be able to pay off the debts?

I keep reading….

Oh yes, the first voices as expected, demanding more police & higher budgets for police …while cuts in education were totally ok just a few months ago.

Having more police on the street can only be a reaction to violence, while EDUCATION PREVENTS violence. (As logically as it sounds to us, it is a threat to some in power because then the whole passive consumer business model doesn’t work anymore)

All these things are connected.

There’s a unified axis of government and corporate power, lawless and unrestrained. That’s what we should talk about. Corporations exploit the power of the state to further enhance their power and the real criminals get away. There’s a class war going on… And it’s the rich who are waging it.

Our society has a huge problem to solve. Let’s identify it properly and understand it so we can start acting because “praying for london” won’t do it….

Alec Empire / Atari Teenage Riot waving huge Anti Fascist Action flag at Fusion Festival. (taken by Freda)

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Alec Empire’s “Sun Ra DJ Mix” by Alec Empire’s Eyho Blog on Mixcloud

Alec Empire mixes rare Sun Ra vinyl records from the 50ties, 60ties and 70ties with analogue tape delays – recorded in France 2005 – for all fans of electronic space jazz and moogaphoria

the man that flew all the way from the sun….

posted by RZ22 for EYHO Blog Berlin
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